i was younger then
convinced i was a tourist
in a binary world dripping
melted ice cream on a map
of places i had no desire to be
(wading through the papers the
silverware strewn the drawers
emptied obscuring the book on
the floor her touch stone lost in
the most recent crime she
stops to light a chesterfield and
lean on a familiar corner near the
kitchen close to the switches for
the light and the heat)
taking photographs of floral displays
the soldier standing guard at the eternal
flame the mountain that exploded three
weeks later hoping two dimensions could
ever be enough to capture the lightning
over the theater in the desert or the anger
in the eyes of the jaguar god staring out
from his jungle coat so many years after
all of it fell i came to understand plots and
stories have little to do with each other and
the map to be flawed noting the cemeteries
but not the hotels that line the margin
between the eternal and the sublime
(words
not her own
litter the counter
plastic flowers among the roses
confounding bees forging bank
notes to cover the vig the need
so great the means become of
little consequence no more than
the worth of the deception itself
she picks up a small jar with a
solitary sea shell which was left
behind she sees the divinity has
long departed and tosses it back
upon the rubble)
i never lived here
and i can say that for any place
that i have stayed walls doors
windows floors ceilings hold it
all back hold it all in color it with
local pigments and obsessive lines
which testify to infirmity and other
inconveniences chemical imbalances
wrapped in bright paper and ribbon
taken as prescribed or not
(a large green bag snaps open
in the air and she kneels with
it at her side an overturned box
spilled undeveloped film from
years of it laying in wait)
the desire to document is an extinct
stuffed bird offering little evidence of
life aside from feathers faded yet every
glass eyed stare i have ever seen smacks
of the abject sorrow which sucked the
light out of once bright hearts leaving
them automatons in a boundless theme
park with only failed programming to
guide their actions a script written by
the unloving for the unloved
(she thinks in pictures not in words
remembering each exposure the ivy
walls the little girl fishing countless
birthday candles on countless cakes
only lit to be extinguished as most
hopes are)
but i still book passage and travel
home is subjective and at the mercy
of varying degrees of light as is day’s
passing and renewal
(she places all of the canisters in the
bag along with her ball and jacks)
but if i have learned
anything
diamonds don’t
sparkle in the darkness
and marigolds
don’t grow in
heaven